![izotope insight makes track louder izotope insight makes track louder](https://i.ytimg.com/vi/dStpqmvkTOg/maxresdefault.jpg)
These are the settings: infinite ratio, hard knee, medium attack, and fast release. On the midrange (from 500 Hz to 4 kHz), I set up a light compression to glue the vocals together while leaving punch to the hits.
![izotope insight makes track louder izotope insight makes track louder](https://abstraktmusiclab.com/wp-content/uploads/2020/12/Matching-Sections-1024x562.png)
I did the same on the high band (from 4 kHz up), but with a medium release. Then I set the threshold until I felt it was enough. On the low band (from 100 Hz down), I set an expansion with quick attack, quick release, infinite ratio, and a +1 dB range. I started with multi-band compression to give more movement to the whole mix.Īs you can listen in the video, the difference isn’t much, but it definitely adds more energy by enhancing the main hits such as the kick and the snare. If you think you’ve found a good value, consider taking it down even more by using the Dry/Wet knob. Start heavy and then come back at lighter settings. The final result you should be looking for is for a fuller and warmer sound, but that is noticeable only by bypassing the processor. Being conservative is key or you will end up harming your mix. There isn’t a fixed formula for this step, it’s all about the mix and where you want to go with it. In this case, I’ve used Fabfilter Saturn as it allows multiband processing. This is a step where you shouldn’t actually hear the difference, as the fix should be so tiny that it would make a difference only for plugins which are accurate. It’s very hard to have drums at the exact same peak level for a number of reasons, and this is a problem for further processing such as compression and limiting which will have an uneven response over the course of the track.ĭon’t overdo this process, StandardCLIP is great for this task as it helps to visualize the actual waveform pre and post-processing. This is a thing I highly recommend doing on every mix. I used a clipper to even out some inconsistent peaks. Then, bring everything back up when the section kicks in.
![izotope insight makes track louder izotope insight makes track louder](https://www.orpheusaudioacademy.com/wp-content/uploads/2021/11/mix-bus-chain.jpg)
Load a Utility tool or a stereo imager and draw some automation lines to narrow the stereo image before you crucial parts such as the drop. I’ve automated a lowpass filter to smoothly fade out the track. This is an optional, not a general rule to stick to. You can trim this silence by using iZotope RX7 once the master is exported. 1 bar is usually enough and keeps your following work with automation lines easier. If you’re using lookahead, consider leaving some space before and after the master. I hope I got your attention because now I’m gladly sharing with you some tricks I’m really proud of.
![izotope insight makes track louder izotope insight makes track louder](https://cdn11.bigcommerce.com/s-3by9a48r25/images/stencil/700x700/products/9128/16663/izotope_ozone_7_elements__41625.1621423299.jpg)
Let me spoiler you this: I increased the Integrated LUFS by almost 8 dB while staying loyal to the way the mix originally sounded. In this video, I’m showing how I approached the mastering process of a Hip Hop/Trap mix in order to increase the perceived volume while still retaining the punch.Īt the beginning of the video, you might not be impressed by the slight differences between the mix and the gain-matched master, but I invite you to stick with me and look at what I went through with this mastering chain.